ASIAN NECROMANCY
ASIAN NECROMANCER (KHMER YANTS)
Necromancy: Blackest of All Black Arts
CHINESE CHARACTERS - NECROMANCY
The blackest of all the black art is undoubtedly necromancy, the ancient method of communication with the dead. The Art of raising the dead and controlling their spirits takes its name from Greek words meaning "dead" and "divination".
Necromancy can be divided into two main branches:
Divination by means of ghosts and divination from corpses. The second methods leads to the disinterment of corpses and rifling of graves for grisly charms which necromancers and witches consider necessary for the effective performance of magical arts.
Necromancy is a universal practice of great antiquity, only the profoundly initiated, brave and single-minded necromancer, wizard and witch has any chance of success in such a venture, always considered dangerous, for not only is a pact with the Devil (Mara) necessary but it is thought that the "astral corpse" has an intense desire to live again and could by absorbing life energy from living creatures, prolong it's life indefinitely, thus unless he has taken adequate precautions, the necromancer might be in great danger.
To evoke the dead the necromancer needs to obtain the help of powerful spirits, both for his own protection and to compel the corpse or ghost to submit to his will. A spell from ancient Hindu calls upon the powers of the mighty Kali,....& Others....to bind the dead, the summoning of the dead involves not only burnt sacrifice but a blood drenched altar.
Incense, Kemayan and odours must be carefully produced from burning substances for their powerful influences. Elaborate preparations include careful study of the positions of the planets and especially the moon and the influence of Saturn.
The site for the operation has to be chosen with care, the most favourable is some lonely graveyards, crossroads, a vault, a ruin, an unfrequented forest or a blasted heath.
Once a Time is decided upon for the operation, a series of concentric circles of power must be drawn on the ground within which are inscribed Yants (Mystical Diagrams) and other symbols together with the Mantra (Kartha). The circle must be blessed and consecrated with the Necromancer and his assistant standing at its centre, protected by Mantra (Kartha) from all dangers. Then, with a wand in hand, the Necromancer summons the dead to rise, using Secret Names of Power.
In Asia, the Author of this Blog and other Necromancers suggested the need for some attempt at identification between the living and the dead, as for example the presence of a portrait and a portion of bread which the ghost would be invited to consume. In his evocation, the Necromancer summons the dead by name and, if he is successful, he has to face the frightening ordeal of a phantom screaming and gibbering with rage at having been compelled against its will to return to the realms of the living. Sometimes the dead appears in the shapes of furious beasts raging about the circle and threatening to tear the Necromancer (Sorcerer) to pieces.
When the dead finally decides to submit to the Necromancer's will, he often becomes transformed into a naked man who is willing to answer the questions put to him.
After the operation, it is necessary to dismiss the dead, who usually vanishes amid clouds of sulphur. Under no circumstances the Necromancer should leave the protection of the magic circle before this. He also has to remove all flowers from the place and after burning them to bury the ashes deeply in the earth.
The whole operation is fraught with terrible dangers, for the slightest departure from the rites could involve the destruction of operator and even inflict injuries to his soul.
CHINESE NECROMANCER
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CHINESE CHARACTERS - NECROMANCY
CHINESE NECROMANCER
